| MARIA
COFFEY 
à Not all of our readers were lucky enough to read your books, would you please tell us something about you and about your life. Tell us: who is Maria?
I was born and brought up in England, within a very strong
Irish Catholic community. Both my parents had emigrated from
Ireland, which they always referred to as •homeê, and they
raised me to consider myself as Irish. So, even from a young
age, I always felt like an outsider, not really belonging
in the place where I lived. This, more than anything, I think,
has contributed to my need to travel, to put myself in places
where I am an outsider. It also made me into an observer À
I love to watch people, to study how they move and speak and
interact, which is an important attribute for a writer. And
it drew me to people and groups who are in some way on the
edge of things. I studied Geography and Education at Liverpool
University, then went to teach and travel for a year in Latin
America À in Peru, Bolivia and Argentina. When I returned
from those travels I got involved in the climbing world. My
brother Mick, who is twelve years older than me, was rock
climbing and mountaineering then, and I began to meet some
of his friends À wild people who had the most amazing parties!
I was drawn to them because I loved their energy, their daring
and the fact that most of them were choosing to take an unconventional
route through life À living on the edge in many different
ways. I never took up climbing myself but I developed lots
of friendships in that world, and that is how I met Joe Tasker.
à I was very excited
reading fragile edge and soon I was very touched Ä How did
you get the idea to describe yourself in this book?
Three years into my relationship with Joe Tasker, he disappeared
without trace on the NE Ridge of Everest, along with Peter
Boardman. Just after I received the news, I began writing
a journal À the first time I had ever done this. I wrote obsessively,
filling a number of journals, all throughout my own trip to
Everest with Hilary Boardman, and for a whole year after that,
recording so many thoughts about Joe, our relationship, his
loss. Once I had stopped writing in the journals, I carried
them around with me À I never looked at them, but they were
like a part of me that I didnêt want to lose. In 1985, when
I came to Canada to teach, I brought the journals with me;
two years later, when I married Dag Goering, I suddenly realized
what they were for. There were so many tangles in my past,
so many things that had been left unresolved between Joe and
me; before I could move into the future with Dag, I had to
pick through those tangles, and try to sort them out. The
journals were the key to this. I read them again and then
began to write. I didnêt know why I was writing, it was just
something I felt compelled to do. When I had written 15,000
words however, I thought, maybe I should do something with
this? I sent the manuscript to Hilary Boardman, who showed
it to Chris Bonington, who wrote to encourage me to carry
on telling a story that had never been told in the mountaineering
world. And so I continued, for months. It was exhausting work,
a catharsis. I was so lucky to have a husband who understood
why I had to do this, and who accepted his bride spending
the first months of her marriage writing about her love for
another man!!! By this time, Chrisês literary agent was interested
in the project. In February 1988 I sent her the manuscript.
Three weeks later she rang to say it had been accepted for
publication. It was a big shock!! Truly, the work had been
personal, to try to reach an understanding À and now, suddenly,
I realized my story was going to be made public.
à You didnêt
hesitate to describe your weakness, your despair, your sorrow
and your search for a sheet anchorãwhere did you find this
strength of mind?
I donêt know. As I said above, it was necessary for me to
write this, it was a catharsis. Fragile Edge was my first
book, but since then writing has become for me a way to order
my experiences, to examine them and make sense of them. Iêve
always been a very honest person, and I write very openly
about myself À what is the point of hiding?
à I had a feeling
that your keystone is in the travel to Everestês base camp,
viewing with your eyes the things that Joe loved and fixing
in your heart the things that he saw before his deathÄ Am
I wrong or right?
Yes, you are right., and I canêt say it any better! Joe never
wanted me to go to base camps with him. So his climbing was
a part of his life that I didnêt really share. And that was
hard, because it was such a big part. When I got the news
that he had died, I hadnêt seen him for three months. I wanted
to be in the places he had been in, just before he died, and,
as you say so beautifully, I wanted to see the things that
he saw and fix them in my heart. Also, I wanted to find some
understanding of what had drawn him away from me and to these
mountains, time and time again. On Everest, I did come to
understand that À I was entranced by the beauty of the mountain,
I was able to see it through his eyes, and realize why he
longed to be in such high, wild places.
à Meeting Dag
changed your life, would you mind telling us how it happened?
I came to Canada in1985
on a one year teaching exchange. Six months later, I met Dag
in a Tai Chi class. He had been living in Germany for some
years, going through university there, studying to be a veterinarian,
and he had recently returned to Canada to do some research
for his PhD. When I saw him, for the first time since Joe
died I felt my heart open. It was terrifying, because I was
still in love with Joe, which is why all my other attempts
at relationships since his death had failed. But Dag is very
special, with a deep understanding of human nature. And he
felt no threat from the •ghostê of Joe. Our love affair began
very slowly À Dag was also recovering from a deep hurt À but
by the following year we both knew that our futures were intertwined.
From the beginning, Dag made it clear that he wanted an adventurous
life. But he also made it clear that he wanted me at the centre
of his life, sharing all his adventures. At first this was
a hard concept for me to grasp À it was so different to Joeês
philosophy!! But it has been wonderful. We have traveled many
parts of the world together, exploring places by kayak, bike,
and sailboat. I know that Dag would have liked to •push the
edgeê more than he has, and that he has held back because
of me. And for that Iêm very grateful to him. And we now work
as a creative team: Dag is a photographer, he also writes
and he puts together wonderful multi-media presentations about
our journeys. So our lives are truly intertwined, in all aspects.
à With The book Where the
mountain casts its shadow you changed from your life to comparing
with other people that had vicissitudes like yours. What has
spurred you to confront this taboo: the impact of extreme
mountaineering on peopleês lives
In 1999 Fragile Edge
was republished in N. America. I was invited to the Banff
Mountain Film Festival to speak on a panel called –Adventure:
The Personal Cost” . On that panel, in front of an audience
of mountaineers, I spoke very openly and honestly about what
it was like to love, and lose, someone to the mountains. And
I talked about the impacts I had seen on other partners and
on the children of climbers. My words caused a great stir
À many people in the audience were angry, others were very
supportive À and all through the rest of the festival people
talked about this discussion. My husband Dag was in the audience
and afterwards he said, –You have so much to say on this subject
À you must write about it.” My first reaction was NO! I had
the sense that I had broken a taboo during that discussion
and I was scared to go further. But the idea stuck, and after
a year, and encouragement from Dag, I began to think seriously
about writing such a book.
à The mountains and the climbers
that emerge here in the book are very different from stereotyped
images of a conqueror, engaged in a noble fight with mountain,
a kind of super-hero: reading the first chapters of your book
somebody might think that a person who make dangerous climbing
in spite of having a wife, a mate, or children is selfish
or at least reckless --but then other things emerge For example
I desired to beat Jim Wickwire, but then I changed opinionÄWhat
about that?
I wanted to show
all sides of the mountaineering story, to give voice to many
people and opinions and theories, and then to let the reader
make up his or her mind.
à Some woman,
after the death of her mate on the mountains often says –never
again with a climber”, but I think of Linda Wylie, who joined
Anatolij Bukreev ,after she lost her man Greg Gordon and she
soon suffered another great sorrow. What is the reason that
induces to re-live these pains?
There isnêt one answer
to this À itês different for everyone. But I think there is
something addictive about life with a high altitude climber.
The psychologist Geoff Powter calls it •the repeating personality
syndrome”, the need for constant change to create excitement.
Climbers exhibit it in their restlessness À they long to be
away climbing, and when they are on the mountain, they long
for home. Their partners exhibit it in the choice of a mate,
and the lifestyle that goes along with him or her À someone
who is always leaving for remote places and daring ventures,
disturbing the household with their comings and goings. Also,
when you lose a partner to the mountains, the mountaineering
community is very supportive and protective. Within it, you
donêt need to explain yourself, and your grief is shared.
In such a milieu, it is very easy to slip into another relationship
with a climber.
à In this book you have the
courage to face a subject that today all people escape: death
and the consequent mourning. We live exorcizing death and
pretending to live in a world of happy people who never grow
and never have problems, but life is very different: we suffer
so much and when we have the thing on, we cannot react , because
we donêt have the strength. The image of the Irish burial
preparation is wonderful, but now it isnêt practiced any more.
Where do you get this strength from ?
When my father died,
the fact that I was with him, holding his hand, and that afterwards
I could help to prepare his body for burial À these were great
gifts which helped me come to terms with his death much more
quickly than I would have done otherwise. Where I really needed
strength was when Joe disappeared À the fact there was no
body, no conclusive fact of his death À this was incredibly
hard, and it made it almost impossible to come to terms with
his death .
à To assimilate
the mourning, to accept death, to feel aware that something
has changed --the image of the child that buried his toys
and then he unearthed them is convulsing, how did you contrive
it?
I didnêt contrive
it À this was described to me by Tara Mortensen. The image
was so powerful, and spoke for itself À I put it straight
into the book.
à Your book belongs to mountain
literature because you talked with women and relatives of
climbers, but the meditations that your book imposes fit to
many other life events, and I think that many people reading
your words may have great encouragement and they can get out
of despair, which is like a wall around them. Do you agree
with me?
Absolutely. It was
my hope that people would find parallels between climbing
and other worlds, and I have received many letters and emails
from people outside of the climbing •tribeê, who have been
touched and helped by the book. People struggling with depression,
going through a marriage breakup, dealing with cancer, and,
of course, people facing bereavements not related to climbing.
Hearing from such people is truly heart-warming À itês the
best validation I could receive.
à I think that your latest
book force the reader to make a self-reflection on his life,
about the troubles, and the pains that we inflict on people
who love us, perhaps in the name of freedom or the of the
dreams, forgetting that in this manner we risk braking the
dreams of those who loves usã indeed the dreams that we have
together, our very lives
Yes, and again, this
goes beyond the climbing world. My editor on the book is the
wife of a well know bone surgeon. She knew nothing about climbing
before she started work on the book. At first she was horrified
by the behaviour of the climbers. Then one day she rang me
up and said, –I understand what you mean about living under
someoneês shadow. Itês been just the same for me, with Peter!”
à Here in Italy you are known
for these two books , about these things, but you wrote many
others books , especially for children. Tell us about thisÄ
I have written a number
of books about the adventures I have shared with my husband,
Dag. I will email you a separate list, with information on
these books. My childrenês books À writing these has been
such fun! One of them, for teenagers, is about our kayaking
expedition in the Solomon Islands, and is beautifully illustrated
with Dagês photographs.. The other three books are for small
children, and are about the adventures of our cat, Teelo,
who when he was younger used to love to come in the kayak
with us for day trips. Sometimes I go into schools and tell
the stories in these books, which feature lots of other animals,
using hand puppets. It brings me great joy to see the wonder
in the eyes of the children!
à Have you got
a dream to realize?
That Dag and I can
continue to live and love and follow our hearts for as long
as possible. Which, of course, is the legacy Joe left us À
to live intensely, knowing it can end at any minute.
à I thank you with all my
heart for all the time that you devoted to me and to Alpiniaês
readers, I also want to express gratitude from all Italian
readers of your books because they find in your books words
of consolation and comfort , and through your words they may
find fundamental answers to questions that often donêt find
answers. Thank you Maria, you are our great friend!
Thank you, Filippo.
These are such intelligent and well-considered questions,
and I really appreciate you thought and care. I sent my good
wishes to your readers, and I hope I can come to Italy some
day, to talk about the books.
Maria
Coffey: Bibliography
You can find
more information on Maria on her website www.hiddenplaces.net
© Filippo
Zolezzi
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